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authority records
Arts and culture

Salmar Community Association

  • MS 144
  • Corporate body
  • 1946-

The Salmon Arm Community Co-operative Sports Center Association met October 1st, 1946. The first order of business was the consideration of the name change to Salmon Arm Community Cooperative Association.

Directors elected were S.C. Elliot, F. Marshall, P.E. Pike, N.S. Minion, A.A. Robinson, F. Ibbotson, C.C. Barker, J.E. Campbell, and Ken Hunter. The directors were authorized to purchase the Rex Theatre at the same meeting.

The group was formed to consider the creation of a memorial to those who had served in the Second World War. The decision was made to build a memorial arena that also met the community’s needs for skating and ice hockey facilities.

The Association investigated sources of financing for this project and it was decided to purchase the existing Rex Theatre by the sale of debentures and non-interest bearing shares. It soon became apparent that the Rex Theatre building and equipment were outdated and it was decided that a new theatre should be built and officially opened for business.

In the meantime, a separate organization was formed to secure funds for the construction of the proposed arena. Construction was commenced in 1956 and the Salmon Arm Memorial Arena was ready for use on July 1, 1958. Surplus revenues from the operation of the Salmar were directed to the arena until responsibility for the operation of the arena was assumed by local government.

With the future of the arena assured, the objectives of the Association were expanded to include many other worthwhile community endeavors including sport and recreation, healthcare and the arts. Theatre revenues were also used to upgrade and enhance the Salmar. In the mid-1970s, the Salmar was renovated and new projection equipment purchased. In 1984, further renovations, including reconstruction of the lobby, enlargement of the stage and installation of special lighting to encourage live performances, were completed. In 1990 the Alexander Street façade of the Salmar, including signage, was upgraded. Technical improvements to projection and sound equipment continued to be made on an ongoing basis.

In 1978 the Association purchased the Starlite Drive-In Theatre and operated that facility in conjunction with the Salmar for many years. The Starlite was sold in September of 1990 to make way for the planned expansion of the junction of Trans-Canada Highway and Highway 97B.

In November of 1987, the name of the Association was changed to Salmar Community Association with the intent of making the community ownership of the Salmar more obvious to the many new residents of the Salmon Arm area.

By 1992 it became apparent that the operations of the Association needed to be expanded both to service the entertainment needs of a rapidly growing community and to ensure that the operations of the Association would remain commercially viable. After considerable discussion it was determined that the Association would build a new theatre complex.

Many issues, including the location and design of the new complex were considered and dealt with over the next several years. A suitable site was located on a portion of an undeveloped public parking lot on Hudson Avenue. It was then determined that a multiplex facility would be built, with four separate movie screens sharing a common projection room, lobby and other facilities. Financing was secured and construction commenced in October of 1996. The new complex was officially opened to the public as Salmar Grand Cinemas May 16, 1997.

The theatre capacity created by Salmar Grand Cinemas allows the Association to offer a wide variety of movies, often on the same date they are released in larger centres. The Association continues to operate the Salmar Theatre as a movie theatre and as a venue for live performances.

Salmar Community Association continues, in accordance with the vision of its founding members, to operate its community owned facilities for the benefit of the residents of Salmon Arm and Shuswap.

Ruth Adair Peterson

  • MS 148
  • Person
  • 1921-2008

When Ruth Adair Peterson (nee Brooke) died August 1, 2008 in Reno, Nevada, a succession of remarkable events repatriated to Salmon Arm a collection of significant paintings which celebrate a lovely story, a loving family, and its community.

More than three hundred paintings by Ruth’s father, Arthur Adair Brooke, were found under her bed wrapped in a cotton pillow slip and tied with a green ribbon. They came “home”. The one-of-a-kind collection was archival in every sense of the word. It spanned an important period of time and documented rural life in the Mt. Ida District of Salmon Arm.

Ruth’s story begins in 1921. Life on the Brookes’ farm, Asterfield, was unexpectedly interrupted with her birth. She was a fourth child and the first daughter to middle aged parents Arthur Adair and Annie Florence Brooke. She was given her mother’s maiden name and raised like an only child, adored by her adult brothers. Family members tell us her parents were strict Baptists. Ruth left home to attend business school in Calgary. It was there she met the love of her life, a divorced American baseball player named Bill Peterson. Ruth followed Bill to the States and they were married in 1951. Ruth and her new husband lived in Oakland, California and Reno, Nevada. The couple had a long marriage until Bill’s death in 1985.

But the story really began with the artist. Born in Rome in 1874, Arthur Adair Brooke had a long journey to Salmon Arm, British Columbia. The eldest child of Arthur Swindells and Amelia Adair Brooke had little memory at the age of two of moving with his family to Switzerland. His father was a professional watercolour artist and supported the family of 9 surviving children by painting landscapes.

When A.A. Brooke finished secondary school he was sent to England before emigrating to Canada in 1890. The first stop in Canada was Manitoba where he learned to farm under the tutelage of Joseph Merry at the Barnsley Farm Home. Four years later, Brooke began working his own farm.

Brooke married Annie Florence Ruth in 1898. Their first son, Harold Arthur, was born at Barnsley two years later. The family moved to Didsbury, Alberta, and two more sons joined the family, Ralph Edward in 1902 and Ernest Cuthbert in 1903. A.A. Brooke worked a homestead and received his Western Land Grant in 1904.

Alberta was not to be the end of the journey. Brooke sold the homestead and its improvements, and moved the household west after purchasing 60 acres of the Goforth farm in the Mt. Ida District near Salmon Arm. They arrived by train in 1907 with two loads of settlers’ effects and set up residence, naming their new home Asterfield.

Still adjusting to retirement, the couple moved again, this time south to another farming community, Cloverdale in the Fraser Valley. Arthur Adair spent his remaining years painting.

Annie Florence passed away December 6th, 1957. After her death, Arthur ached with loneliness and moved to Siska Lodge at Lytton, B.C. to be with his son Harold. He kept busy painting watercolours to sell in the Lodge’s coffee shop.

Arthur Adair was a prolific artist and left a legacy of a significant body of work. The farmer artist sketched images all his life, using his drawings as inspiration for later watercolours. His landscapes depict Switzerland, Ireland, Manitoba, Alberta, Alaska, and British Columbia. Numerous watercolours and sketches are held in private collections, at the Glenbow Museum in Calgary, the Dufferin Historical Society Museum in Carman, Manitoba and the Salmon Arm Museum. But his best work is said to be Ruth’s baby books that document his daughter's early life.

Arthur died thirteen months after Annie on January 13, 1959.

Parnall, John A.E.

  • Person
  • 1914-1992

John Parnall completed his B.A. (1935) and B.Ed (1949) at the University of British Columbia and an M.A. at the University of Toronto. After serving as Associate Registrar and lecturer in the Department of Mathematics, Parnall became Registrar in 1957 and held that position until 1980.

Smedley, Geoffrey

  • Person
  • 1927-2018

Canadian sculptor Geoffrey Smedley was born in London, England in 1927, and studied at the Slade School of Fine Art, University College in London. He served in the British Army (1945-48) as a member of the Royal Engineers – his training as an engineer would influence his artistic career. Early in his career Smedley worked in the “constructivist tradition, and participated in two exhibitions with the Systems Group – the first organized by the Whitechapel Art Gallery in 1972, and the second at The Design Activity International in 1974. His method later became intuitive, mathematical and site-specific. Subsequently he evolved from using specific landscape sites to the use of language, and also came to question the notions of light, time and memory in his sculpture. He first came to Canada as a visiting artist at Queen’s University in 1977, and the following year joined the faculty of the UBC Department of Fine Arts, where he remained until his retirement in 1992. After his retirement he continued to work at his studio on Gambier Island, B.C., where he lived with his wife Brigid.
As a sculptor Smedley combined disciplines such as mathematics and philosophy with accomplished craftsmanship, and his finished works often functioned as metaphors for language, time and memory. His sculptures were exhibited at more than sixty galleries in Canada, the United Kingdom and the United States, and can be found in various public collections, including The Arts Council of Great Britain, the Victoria and Albert Museum, the Vancouver Art Gallery, and the Canadian Centre for Architecture. His sculpture "Rowingbridge" was a centrepiece at Expo 86 in Vancouver. His 2001 work "Piero en tête / Meditations on Piero" (often referred-to in his working notes as “Piero’s Head”) explored the links between architecture and other disciplines, such as geometry, cosmology and human anatomy, centred on Piero della Francesca’s attempts to draw the mathematically ideal proportions of the human head. Another work completed in 2012, "Descartes’ Clown", is a sculpture-installation that is a philosophical reflection on the mechanization of man. Shortly before his death Smedley completed another work on Piero and his book "De Prospectiva Pingendi", a book entitled "Beneath Appearances".
Geoffrey Smedley died suddenly on Gambier Island on 9 May 2018.

Mattessich, Richard

  • Person
  • 1922-2019

Dr. Richard Mattessich was born in 1922 in Trieste, Italy, and grew up and went to school in Vienna, Austria. He obtained his degree in mechanical engineering in 1940, and his MBA in 1944 and a doctorate in economics in 1945 from the Vienna School of Economics and Business Administration. He was a research fellow of the Austrian Institute of Economic Research, and an instructor at the Rosenberg Institute of St. Gallen, Switzerland. In 1952 he moved to Canada, and was appointed Head of the Department of Commerce at Mount Allison University (1953-59). From 1959 to 1967 he was Associate Professor of Accounting at the University of California, Berkeley. Beginning in 1967 he was Professor of Accounting at the University of British Columbia, holding the distinguished Arthur Andersen & Co. Chair. He retired in 1987, and the following year was named emeritus professor. He has also held visiting professorships in Berlin, Christchurch (New Zealand), Graz (Austria), Hong Kong, Parma (Italy), St. Gallen, and Tokyo.
Perhaps best-known for introducing the concept of electronic spreadsheets into the field of business accounting, Mattessich has also pioneered the use of analytical and philosophical methods in accounting research. He has numerous publications to his credit, both books and articles, some of which have been translated into French, German, Japanese, and Spanish. His best-known books are Accounting and Analytical Methods (1964); Simulation of the Firm Through a Budget Computer Program (1964), which introduced the concept of computerized spreadsheets; Instrumental Reasoning and Systems Methodology – An epistemology of the applied and social sciences (1978); Two Hundred Years of Accounting Research (2009); and Reality and Accounting – Ontological explorations in the economic and social sciences (2013). He also edited two anthologies: Modern Accounting Research: History, Survey, and Guide (1984), and Accounting Research in the 1980s and its Future Relevance (1991).
Mattessich has been awarded honorary degrees from Complutense University of Madrid (1998), the University of Malaga, Spain (2006), Montesquieu University in Bordeaux, France (2006), and the University of Graz, Austria (2007). He is also an honorary life member of the Academy of Accounting Historians, and has received a number of other honorary appointments and honours. He has served on the governing boards of the School of Chartered Accountancy of the Institute of Chartered Accountants of British Columbia and the CGA-Canada Research Foundation, and has been on the editorial boards of several professional journals.

Manufacturing Consent

  • Corporate body
  • 1992-

Manufacturing Consent: Noam Chomsky and the Media (1992) was, at the time of its release, the first and only documentary film that explored the political life and ideas of Noam Chomsky, world renowned linguist, intellectual, political activist and the most-cited living author. Created by two Canadian independent filmmakers, Mark Achbar and Peter Wintonick, it expanded on the ideas of Chomsky's book, Manufacturing Consent: The Political Economy of the Mass Media, which he co-wrote with Edward S. Herman. The film features Mark Achbar, Noam Chomsky and Edward S. Herman. Mark Achbar would later collaborate to co-direct The Corporation along with Jennifer Abott and Joel Bakan.
Noam Chomsky was born on December 7, 1928 in Philadelphia, Pennsylvania and attended the University of Pennsylvania where he received his PhD in linguistics in 1955. Chomsky would later become a member of the American Academy of Arts and Sciences, the National Academy of Sciences and the American Philosophical Society as well as other learned and professional societies both in the United States and abroad. He received the Distinguished Scientific Contribution Award of the American Psychological Association, the Kyoto Prize in Basic Sciences, the Helmholtz Medal, the Dorothy Eldridge Peacemaker Award, the 1999 Benjamin Franklin Medal in Computer and Cognitive Science and many others. He is the twice winner of the Orwell Award and is the recipient of over 29 honorary degrees from universities around the world.
Chomsky established himself as a prominent critic of U.S. foreign and domestic policy. He is a self-declared anarcho-syndicalist, a branch of anarchism which focuses on the labour movement, and a libertarian socialist. Since his first publication titled Syntactic Structures, Noam Chomsky has gone on to write hundreds of books and articles and lectures tirelessly all over the world.
Mark Achbar is a graduate of Syracuse University’s Fine Arts Film Program. After interning in Hollywood he moved to Toronto to work on the documentary series Spread Your Wings and the CBC/Disney series Danger Bay. He received a Gemini nomination for Best Writer on The Canadian Conspiracy which won a Gemini for Best Entertainment Special and was nominated for an International Emmy.
Mark Achbar was first drawn to Noam Chomsky in 1985 when he heard Chomsky’s talk titled “The Drift Toward Global War”. Achbar began his correspondence with Noam Chomsky, regarding his documentary project, in 1987 and he releases his first formal proposal to produce Manufacturing Consent: Noam Chomsky and the Media in 1990.
Peter Wintonick was born in Trenton, Canada in 1953. An independent documentary filmmaker, Wintonick would receive the Governor General’s Award in Visual and Media Arts in 2006.
In 1986 Wintonick would propose a film on Chomsky to a senior bureaucrat at the National Film Board of Canada which was rejected. A year later, Achbar began to develop a film on Chomsky with friends but, due to philosophical differences, the collaborators parted ways. In 1988 Achbar and Wintonick recognized their common interests and began to develop the project together. They established a production company, Necessary Illusions, and begin soliciting support. Finally, in 1989, Francis Miquet joined Necessary Illusions as a general manager and they begin developing their first formal proposal together.
The filmmakers traveled to seven countries and twenty three cities collecting over 120 hours of original footage. Combining archival footage with their original footage, the filmmakers created a documentary around 165 minutes long that would garner over 350 pages of press.
The film presents and illustrates Chomsky's and Herman's propaganda model which alleges systematic biases in the mass media and seeks to explain them in terms of structural economic causes. A portion of the film is a long examination of the history of The New York Times' coverage of Indonesia's invasion and occupation of East Timor, which Chomsky claims exemplifies the media's unwillingness to criticize an ally.
According to the filmmakers, during the preparation and filmmaking of Manufacturing Consent: Noam Chomsky and the Media they strove to democratize the production process and make it inclusive. This would entail extensive consultative screenings with audiences and resulted in over 600 individuals helping guide them to the film in its final form. Another unique aspect to Manufacturing Consent: Noam Chomsky and the Media was the goal to create a film metanarrative. This required the filmmakers to film the filming process and resulted in a mix of mediums to create the final film.
Until the release of The Corporation in 2003, Manufacturing Consent: Noam Chomsky and the Media was the most successful documentary in Canadian history. The film played theatrically in over 300 cities around the world; winning over 22 awards; appeared in more than 50 international film festivals and was broadcast in over 30 markets. It has also been translated into over a dozen languages.
Manufacturing Consent: Noam Chomsky and the Media received numerous awards including: Silver Conch (1994) for best non-fiction film above 40 minutes as the Bombay International Documentary Short and Animation Film Festival, Gold Hugo (1992) for Best Social/Political Documentary at the Chicago International Film Festival, Best Canadian Feature Film-Special Jury Citation (1992) at the Toronto International Film Festival and Most Popular Canadian Film (1992) at the Vancouver International Film Festival as well as others.
Mark Achbar edited a companion book of the same name. Manufacturing Consent: Noam Chomsky and the Media Companion book, which includes a complete transcript of the film including excerpts from the writings, interviews and correspondence of Chomsky and Edward S. Herman. Also included are further exchanges between Chomsky and his critics, additional historical and biographical material, filmmakers' notes, 300 stills from the film and 18 philosopher trading cards. While Chomsky had concerns about the book, as evidenced in the correspondence between Achbar and himself, the book made the national bestseller list in Canada.

Norris, John MacKenzie

  • Person
  • 1925-2010

John MacKenzie Norris (1925-2010) was born on March 3, 1925 in Kelowna, B.C. to Jean Mary Norris (née) Denovan and Thomas Grantham Norris. At the time of his birth, his father, T.G. Norris, was practicing as a lawyer in Kelowna and subsequently served as a judge on both the British Columbia Supreme Court and the British Columbia Court of Appeal. John Norris had an older sister and a younger brother, attended elementary schools in Kelowna and Vancouver, and graduated from Lord Byng Secondary School in Vancouver. He enlisted with the Royal Navy in 1943 and, after returning, attended UBC from 1946-1949 where he obtained both a Bachelor of Arts Degree (1948) and a Master of Arts Degree (1949). At UBC he met Barbara Violet Casey whom he married in 1947. They had one son, Thomas Norris. John Norris pursued additional graduate work at Northwestern University, obtaining his Ph.D. in 1955, and post-graduate studies at the London School of Economics.
In 1953, John Norris began teaching as an instructor within the Department of History at the University of British Columbia and in 1964 became a Professor of the Department of History. He published five books and numerous articles in the areas of administrative, economic and demographic history. During the 1970s, he began to change his academic focus towards the history of medicine and over the next few decades he specialized in the study of the history of various diseases, including plague, cholera, and scurvy.
In 1980, John Norris was appointed Professor and Director of the Division of the History of Medicine and Science at UBC. He continued to serve in this role until his retirement early in 1990 when he was extended the title of Professor Emeritus in the History of Medicine. He continued to teach on a part-time basis until at least 2004.
Norris served on many boards and committees, including acting as the Chair of the Osler Medal Committee of the American Association for the History of Medicine (1978-1979); as Chair of the Programme Committee of the Canadian Society for the History of Medicine (1983); and as the Chair of the Grants Committee of the Hannah Institute for the History of Medicine (1980). At UBC, he served in such capacities as Chairman, University Curriculum Committee, UBC (1968-1974); as a Member of the University Senate (1964-1974); and as Chairman of the University Grievance Committee (1968-1969). He held an American Council of Learned Societies Graduate Fellowship, 1951-3, a Nuffield Commonwealth Fellowship, 1961-1962, a Canada Council Senior Fellowship, 1967-1968; and a Killam Senior Research Scholarship, from 1975-1976.
John Norris was an active member in politics, first in the C.C.F., and subsequently of the N.D.P. In 1963, he unsuccessfully ran to be N.D.P. representative for Vancouver Centre during the British Columbia Provincial election.
John Norris died on May 2, 2010. At the time of his death, he was working on a history of cholera.

Kröller, Eva-Marie

  • Person
  • [ca. 1950- ]

Eva-Marie Kröller was born in Germany, and earned her undergraduate degree (Staatsexamen) at the University of Freiburg, and her Ph.D. in comparative literature at the University of Alberta. Following appointments as sessional lecturer, SSHRC postdoctoral fellow, and visiting professor at UBC's Department of English between 1978 and 1983, she joined the Department in 1984 as an assistant professor; she was promoted to associate professor in 1987, and to professor in 1993. She specializes in comparative Canadian and European literature, with an emphasis on travel writing, literary history and cultural semiotics. She was chair of the comparative literature programme at UBC from 1990 to 1995, and served as editor of Canadian Literature from 1995 to 2003, for which she won the 2004 Distinguished Editor Award from the Council of Editors of Learned Journals. Professor Kröller has been appointed an Alexander von Humboldt Fellow (1987-88), a Killam Faculty Research Fellow (2009), and Visiting Professor at the John F. Kennedy Institute, Free University of Berlin (1992), and at the Nordamerikaprogramm, University of Bonn (2001). She was elected to the Royal Society of Canada in 2007. She has also won several UBC awards: the Killam Research Prize (1995), the Killam Teaching Prize (1999), and the Dean of Arts Award (2002).

Riddehough, Geoffrey B.

  • Person
  • 1900-1978

Geoffrey Blundell Riddehough was born on March 18, 1900, in Bramhall, Cheshire, England. Educated in Penticton, B.C., he went on to become a UBC Fairview graduate, earning a first class honours B.A. (1924) in Latin and English in addition to being awarded the Governor Generalʹs gold medal as head of his graduating class. Riddehough obtained his M.A. in English from the University of California, Berkeley (1925). After teaching in the English Department at the University of Alberta for several years on a contract basis, the Nichol Scholarship enabled Riddehough to pursue his studies and research interests in London and at La Sorbonne in Paris (1929‐1932). Returning to Canada in the autumn of 1932, he set aside his PhD. studies at the University of Toronto to become a classics instructor at UBC. Riddehough joined the UBC faculty in 1933 and remained a member of the Department of Classics for the next thirty‐eight years. While at UBC, he continued to pursue his education, obtaining a M.A. (1939) in classics and a Ph.D. from Harvard (1951) with a thesis on the medieval poet Joseph of Exeter. While studying at Harvard, his dissertation essay ʺDe Medeae In Iasonem Odioʺ won the Bowdoin Latin Prize (1950). At UBC, Riddehough specialized in Medieval Latin and was noted for his satirical verse.
Riddehough was a prolific writer and a number of his essays, poems, and short stories were published in a variety of journals and newspapers. Two of his better known works were his collection of verse, Dance to the Anthill (1972) and the posthumously published Rueful Rhymes: The Satirical Verse of a Couple of Anti‐Bodies (1994) that was co‐authored by Geoffrey A. Spencer. Riddehough was familiar with several languages, including French and Cornish, as well as being versed in ancient Greek and Latin. An interest in the paranormal led Riddehough to participate in a Wicca witch‐naming ceremony on the Isle of Man. He wrote numerous short stories about his female witch persona, “Anaitis”, and the majority of the correspondence from Riddehough within the Pegeen Brennan and Doreen Nalos sous‐fonds are signed with the Anaitis symbol. Riddehough died suddenly on April 6, 1978, in London, England, while returning to Vancouver after a holiday in Malta.

Ricou, Laurence R., 1944-

  • Person
  • 1944-

Laurence "Laurie" R. Ricou was born in Brandon Manitoba on October 17, 1944 and earned his B.A. at the University of Manitoba in 1965. He moved to the University of Toronto where he earned his MA in 1957 and Ph.D. in 1971. Ricou then went to the University of Lethbridge where he taught English for eight years beginning in 1970. While at Lethbridge he became a specialist on Canadian Prairie regionalism and prairie writing. In 1978 he moved to Vancouver and joined UBC's Department of English. Ricou has written or co-authored a number of books including "The Arbutus/Madrone Files: Reading the Pacific Northwest" (2002), "A Field Guide to Dungeness Spit" (1997), "Everyday Magic: Child Languages in Canadian Literature" (1991), and "Vertical Man/Horizontal World: Man and Landscape in Canadian Prairie Fiction" (1973). He has also contributed numerous journal articles, conference papers and chapters for books.

Spaulding, John Gordon

  • Person
  • 1907-1996

John Gordon Spaulding earned a B.A. at Pomona College, California, and a Ph.D. from the University of California, Berkeley. After teaching at Stockton Junior College in California, he joined the UBC Department of English in 1946, where he remained on faculty until his retirement in 1972. His areas of scholarly interest included the history of literary criticism, Romantic poetry and prose, semantics, and the relationships between literary criticism and philosophy, science, and psychology.
While conducting research at the British Museum in 1961 Spaulding was using "The Preacher's Assistant", a catalogue of sermons presented and published in Great Britain, Ireland, and the American colonies in the seventeenth and eighteenth centuries, compiled by the Rev. John Cooke and published in 1783. Spaulding saw the possibility of gaining new insights into the political, social, and literary history of the period covered by the catalogue by correlating the entries in the first volume (the sermons) with the entries in the second volume (the authors), using then-new computer technology. By 1966 he had both volumes encoded on punch cards, and then spent the next 25 years correlating the two sets of records. An early print-out version was deposited at the Huntington Library in California in 1988. The final version was published in 1996, shortly after Spaulding's death, as "Pulpit Publications 1660-1782", in six volumes. As he wrote in the preface:
"By translating the data from Cooke's two volumes into six volumes it lays out the data in ways that make them accessible for purposes that Cooke did not have in mind. His catalogue of sermons is herein transformed from an Assistant to Preachers into an Assistant for Historians who wish to search out the vital relations between religion and literature, philosophy, science and politics in the seventeenth and eighteenth centuries or, more generally, are making bibliographical, philological and economic studies concerning the period. The usefulness of the sermon catalogue in historical studies is enhanced by the fact that the data within the catalogue come close to being exhaustive in regard to certain aspects of the period and, in the form presented within the present edition, make some novel statistical studies quite possible."

Slater, Ian

  • Person
  • 1941-

Ian Slater was born in Australia in 1941, and worked for the Australian navy, as a cipher clerk in that country’s Department of External Affairs, and as a defence officer for the Australian Joint Intelligence Bureau. After leaving Australia he became a marine geology technician with New Zealand’s Institute of Oceanography, and later with UBC’s Institute of Oceanography. In 1977 he earned his Ph.D. in political science. As an author and lecturer he has taught a wide variety of courses in the humanities.
Dr. Slater is the author of twenty-three adventure thrillers, including his best-selling "Firespill"; "Sea Gold"; "Air Glow Red"; "Storm"; "Deep Chill"; "Forbidden Zone"; "MacArthur Must Die"; "Showdown"; "Battle Front"; and "Manhunt". He is also the author of eleven books in his World War III series. His non-fiction book "Orwell: The Road To Airstrip One", a study of George Orwell’s social and political thought, has been acclaimed by publications from the Times Literary Supplement to the Washington Post. The latter wrote, “It is doubtful that any book provides a better foundation for a full understanding of Orwell’s unique and troubling vision.” ABC Book World states, "In Slater's revised version, his new preface contains a true story that Slater was part of and which is at once so moving about the power of one good, brave man and the power of literature to change events that it alone is worth the price of the book."
Dr. Slater also served as editor of the UBC academic quarterly "Pacific Affairs" from 1988 to 2002; has written book reviews for major North American newspapers; worked as a film critic; and written radio dramas and short stories for the CBC. He also wrote the screenplay for the National Film Board’s animated film, "Flash Point", based on his novel "Firespill".

McNeil, Florence Ann

  • Person
  • [ca. 1940]-2013

Florence McNeil, a UBC graduate, was a successful writer of poetry and fiction for adults and children. She won many awards for her work. Some of her novels were translated into other languages and adapter for film. Perhaps her most well-known work was “Breathing Each Other’s Air.” She also wrote for UBC’s student newspaper "The Ubyssey" and for the CBC radio program “Canadian Short Stories.” She also taught at a high school and at three Universities – Western Washington, Calgary, and UBC.

Levitan, Seymour

  • Person
  • 1936-

Seymour Levitan was born in Philadelphia in 1936. He was drafted into the U.S. Army in 1961 but missed the Vietnam war. He received his B.A. and M.A. in English Literature from the University of Pennsylvania, and went on to join the Department of English at UBC, where he taught from 1966 to 1972. In addition to his work teaching English, Levitan also became well-known as a translator and editor of Yiddish poems and stories. Paper Roses, his selection and translation of Rachel Korn’s poetry, was the 1988 winner of the Robert Payne Award of the Translation Center at Columbia University. He also helped organize the Jewish Film Festival and the Chelm Film Series.

Saltzman, Percy

  • Person
  • 1915-2007

Percy Saltzman was born in Winnipeg, Manitoba in 1915. He graduated from the University of British Columbia in 1934, eventually moving to Montreal's McGill Medical School to become a doctor. In Montreal, he left McGill and married Rose (1935). In 1943, he embarked on a career in meteorology, as a Met. Officer in the BCATP (British Commonwealth Air Training Plan (1940-1945), the Aerodrome of Democracy, following which Percy remained in meteorology as a full time employee of the official federal weather service for 25 years (1943-1968). In 1953 he became Canada's first TV weatherman (1952-1982). He co-hosted the CBC show Tabloid, and CTV’s Canada AM. Saltzman gave thousands of weather forecasts, conducted numerous interviews, and was also involved in radio broadcasting. In 2002 he was awarded The Order of Canada and in 2004 he became a member of The Broadcast Hall of Fame. He married twice: Rose (1935-1988) and Audrey (1990).

Thompson, Peggy

  • Person
  • [ca. 1954- ]

Peggy Thompson graduated from Point Grey Secondary School in 1972 before attending the University of British Columbia. Later, she became a professor of screenwriting in the Creative Writing department at UBC. She has worked as a writer, producer, and director for film, television, radio, and stage.
Thompson is the screenwriter of the feature films "Better Than Chocolate" and "The Lotus Eaters". "Better Than Chocolate" premiered at the Berlin Film Festival and won numerous international awards, while "The Lotus Eaters" was nominated for 11 Genie Awards, and won three. She also won a Genie for the short film "In Search Of The Last Good Man". Her short documentary film "Broken Images – The Photography Of Michelle Normoyle" has played festivals worldwide. "It’s A Party!", another short film, was nominated for a Genie. Peggy Thompson has also written for series television ("Da Vinci’s Inquest", "Big Sound", "PR", "The Beachcombers", and "Weird Homes"). Her radio play "Calamity Jane And The Fat Buffalo Moon" was published by Blizzard Press and was staged in New York. Her stage work has been nominated for both Chalmers and Jessie Awards. She was one of four producers on the feature film "Saint Monica", which premiered at the Toronto International Film Festival, won the Cultural Expressions Award for Best Narrative Feature at the Sarasota Film Festival, and was nominated for two Genie Awards. "Saint Monica" received its European premiere at the Berlin Film Festival. She has recently produced the animated short "Chanterelle Rain", was the Executive Producer on the Crazy 8 short drama "Sacrifice", and is one of the producers on Sharon McGowan’s award winning documentary "Bearded Ladies: The Photography Of Rosamond Norbury". She also co-authored, with Saeko Usukawa, the books "Hard-Boiled: Great Lines from Classic Movies" (1995) and "Tall in the Saddle: Great Lines from Classic Westerns" (1998).
As of 2017, Thompson is a Professor Emerita of UBC’s Creative Writing Program, and has served on the Board of Directors of Women in Film and Television Vancouver as well as Out On Screen. She is currently on the From Our Dark Side Screenplay Genre Competition’s Steering Committee, a national competition for genre screenwriters run by Women in Film and Television Vancouver.

Meredith, Laurence

  • Person
  • 1907-1990

John Laurence Russell Meredith (1907-1990) was known as “Laurence,” “Laurie,” and “Larry.” Before attending UBC, he worked for a lumber camp. This gave him an opportunity to interact with the Kwakwaka'wakw ("Kwakiutl") First Nation. He wrote four articles about the nation that were published by the Library of Congress. The publishing fees allowed him to attend UBC. He graduated in October 1929 with 2nd class honours in English and Latin. While at UBC he was literary editor of "The Ubyssey", president of the Letters Club, winner of the University Prize, English honour student, member of the Players' Club, and member of the Publications Board. After graduation he moved to London and became a teacher. He soon joined United Press International. He joined the RAF during WWII and had an interesting career. After the war he returned to UPI and had a long and impressive career that brought him friends in high places. Larry never married and lived with his semi-invalid mother until she apparently was invited to live in a “grace and favour cottage” by the Queen.

MacLeod, Cameron

  • Person
  • 1958-1983

Cameron MacLeod was born in Vancouver, British Columbia on February 20, 1958. He was a talented artist from an early age, and produced the main body of his work from 1967-1981. He underwent open-heart surgery at the age of three, which, according to those close to MacLeod, affected him psychologically for the rest of his life. MacLeod became particularly involved in art during his high school years at St. George’s School, where his art teacher Edward Gale was an important mentor. Gale helped to stage MacLeod’s first exhibit in 1976 at the school. Jack Shadbolt was also a significant supporter of MacLeod during this time. After graduating from St. George’s, Cameron MacLeod completed an Honours B.A. in Fine Arts at the University of British Columbia, and also studied in London, Trois Rivières, and at The Banff School. At The Banff School MacLeod studied under Takao Tanabe and Alan Wood, who were important influences on his art. He also spent time travelling through Europe in the late 1970’s and early 1980’s. MacLeod won various awards and scholarships, and showed six exhibitions of his work during his lifetime.
Cameron MacLeod’s art can be divided into four periods. The first period, from his time in high school and at UBC, consists mainly of paintings of landscapes and graveyards. This period was influenced by the Group of Seven and Emily Carr, and the time MacLeod spent in Haida Gwaii. The second period spans his time at The Banff School. It is comprised of landscapes and depictions of native teepees, which were influenced by the Fauve School, Gordon Smith, Allen Jones, and Alan Wood. MacLeod’s third period of work, completed during his travels in France and England, is made up of landscapes influenced by Cezanne and Van Gogh. His final period was heavily influenced by Francis Bacon and Giacometti. MacLeod used charcoal and oil to create black and white pieces that often reflected the trauma of his open-heart surgery, and represented, as curators Caroline Riedel and Meredith Temple described, a “final journey inward.”
MacLeod died of heart failure at age 25 in 1983, following a long struggle with anorexia. His work has been shown several times after his death. His family put on an exhibit in Vancouver in 2004 titled “Beyond Presences: An Exhibition of Cameron Ian MacLeod (1958-1983),” and in 2008-2009 the McPheson Library Gallery in Victoria put on an exhibit titled “In Search of Lost Time: The Art of Cameron Ian MacLeod, 1958-1983.”