Fonds MsC 40 - Caroline Adderson fonds

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Caroline Adderson fonds

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Fonds

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CA SFL MsC 40

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  • 1986-2004 (Creation)
    Creator
    Adderson, Caroline, 1963-

Physical description area

Physical description

2.58 m of textual records and other material

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Name of creator

(1963-)

Biographical history

Caroline Adderson was born in Edmonton, Alberta in 1963. After finishing high school, she entered Katimavik, a Canadian youth volunteer-service program, and travelled across Canada, partaking in such activities as working on a sheep farm and building log cabins on a reservation. Adderson completed an education degree at UBC in 1986, and a year later she settled in Vancouver and started teaching ESL. She has spent most of her adult life in Vancouver, B.C., but has also lived for brief periods in New Orleans and Toronto. Her first book of short fiction, <i>Bad Imaginings</i> (1993) won the 1994 Ethel Wilson Fiction Prize, was shortlisted for the 1993 Governor Generals Award and Commonwealth Book Prize, and in audio format the CNIB (Canadian National Institute for the Blind) Talking Book of the Year. These stories have since appeared in many anthologies and have been broadcast and adapted for radio.

Her first novel, <i>A History of Forgetting</i> (1999) was nominated for the 2000 Ethel Wilson Fiction Prize and the 2000 Rogers Writers Trust Fiction Prize.

Her second novel, <i>Sitting Practice</i> (2003) was shortlisted for the VanCity Book Prize for best book pertaining to women's issues by a B.C. author as well as the City of Vancouver Book Award. It won the 2004 Ethel Wilson Fiction Prize.

Her works of fiction and non-fiction have been widely published in literary magazines and newspapers. One story, "Oil and Dread", was selected by the <i>Journey Prize Anthology 5</i>. She has three times won prizes in the CBC literary competition. She has had radio plays broadcast on CBC Radio's <i>Morningside</i> and <i>Sunday Showcase</i>, amongst other radio broadcasts.

Her feature-length screenplay <i>Tokyo Cowboy</i> (1994) was the co-winner of the Federal Express Award for Most Popular Canadian Film at the 1994 Vancouver International Film Festival.

Adderson's recent publication <i>Pleased to Meet You</i> (2006), a collection of short fiction, was longlisted for the Giller Prize.

Some of the themes Adderson poignantly illuminates in her work include the endurement of grief and pain in different forms and contexts, the construction and power of memory and its connection to history and freedom, essences, physical movement through time and space, interconnectedness, sexuality, love, and longing.

She is married to film director Bruce Sweeney, and has one son, Patrick

Custodial history

Scope and content

The collection consists of materials that relate to Caroline Adderson's work as a writer. Types of materials include: versions of drafts of manuscripts, many with holograph annotations; incoming and outgoing correspondence in the form of handwritten and typewritten letters, and hard copies of email and fax; research relating to her work including collected works by other writers; notes that relate to and inform her literary work; promotional, personal, and research-related photographs; reviews of her work; and a collection of published work in monograph and serial format. These monographs and serials have been catalogued in SFU's Special Collections catalogue. Materials were accessioned in varying states of organization. Much of the material was and remains intermingled, and some had been organized and described by Adderson. Some folders have been written upon by the author, accompanied with explanations of the contents of the corresponding files. In this finding aid, RAD applies consistency to the body of material, but the descriptive contents within the actual folders are not consistent for this reason. All information Adderson has provided about her records has been kept with the appropriate papers.

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Inventory available with series descriptions and file lists Online Finding Aid

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BCAUL control number: SFL--2302

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Revised March 11, 2013.

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