Collection consists of textual records that tell of a Kispiox legend and its manifestation on a traditional pole; an accompanying photograph of the pole complements the narrative.

Fonds consists of 21 images from the 1978 Bill Reid pole raising ceremony at Skidgate, an event at which Gill was an observer.

Fonds consists of correspondence with the museum about Goddard's photographs and postcard, as well as the images themselves. Three of the photographs are annotated.

Fonds consists of a paper written for Anthropology 301 taught by Professor Dr. Michael Kew, entitled [Red Cod Island Village or Ninstints Village] - A Memorial, with accompanying colour slide images of the carved poles of Anthony Island, a permanent village of the Kunghit Haida, located on the southern shores of Haida Gwaii.

During their time living in Bella Bella, the Houstons took many photographs of the lives of the Heiltsuk First Nation community documenting the day-to-day lives of the Heiltsuk First Nation as well as ceremonial activities. The color slides document the construction, painting, and launching of the Gi’wa, a Heiltsuk canoe which sailed with the Lootaas, the Haida canoe built by Bill Reid for Expo 86. Some of the slides document the welcome feast at Bella Bella in honor of the Haida crew of the Lootaas. The color slides also document several potlatches and wedding feasts held in the community hall, and the local Sports Day parade. Slides also depict the role of the fishing in the community, such as smoking salmon and processing roe. Other photos document gravestones on a nearby cemetery island, derelict canneries, petroglyphs and pictographs, totem poles and house posts, all in or near Bella Bella.

The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit The Four Seasons: Food Getting in British Columbia Prehistory, which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.

Fonds consists of a copy of Wilson’s “Kitlope Report: Various Haisla Artifacts.”

The fonds consists of printed ephemera relating to First Nations art, correspondence, and photographs of Gitksan totem poles.

The fonds consists of 7 photographs taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions.

The fonds consists of 83 images associated with two books published by Douglas & McIntyre: Bill Reid by Doris Shadbolt and The Raven Steals the Light by Bill Reid. The photographers responsible for these images are R. Dereth, R. Keziere, R. Lum and B. McLemore.

The fonds consists of four photographs taken by Richard Cotton of mortuary poles on an island in the Skeena River near Kitsilas, BC.

The fonds consists predominantly of slides of various petroglyphs and pictographs, primarily from locations on the Northwest Coast of British Columbia. The fonds also contains location charts of petroglyphs and the creator’s typed notes about various sites.

The collection consists of three photographs of St. George’s Residential School in Lytton, BC.

The fonds consists of photographs created by Ronnie Tessler from 1986 to 1987 documenting a canoe project by the Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from the same period depict a totem pole raising at Capilano Mall in North Vancouver and portraits of Les Baker, a model Tait wanted to use for a “white man” mask.

The scanned images in this fonds represent a selection of Robert Reford’s amateur photographs found in two albums from his time in British Columbia (1889-1891). The photographs were taken in various parts of British Columbia. They are presented in the order that existed in the original albums.

The collection consists of slides, photographs and negatives, all copies of Curtis’s most extensive work, “The North American Indian.”

The collection consists of postcards depicting First Nations from Western Canada.

Collection consists of 81 b&w photographic prints of the Brooks heads and one of the Vancouver airport.

The fonds consists of photographs of Gloria Kaplan with various indigenous artists, whose names have been recorded in the image titles and IPTC metadata. The photographs were taken by Selig Kaplan with the intention of documenting the artists from whom the Kaplans acquired artwork or anticipated acquiring artwork from.

The fonds consists of records created and collected by Harry B. Hawthorn in a number of different capacities: as researcher, professor, Dean of Anthropology and Director of the Museum of Anthropology. Textual records in the fonds include correspondence, transcripts, research notes and clippings from publications. Much of the graphic materials relate to Harry Hawthorn’s interactions with aboriginal communities as an anthropologist, a professor, and as the Director of MOA. Other images relate to his personal life, documenting his youth in New Zealand, his life as a father and anthropologist, and his later established professional roles.

The fonds consists of 45 glass-plate lantern slides showing scenes from Osterhout’s work with B.C. First Nations, including the Haida, Tsimshian, and Kwakwaka’wakw. The collection includes images of people, totem poles, and landscapes.

Fonds consists of audio, video, and visual materials created by Basil and Edythe Hartley. Materials include video footage of the Haisla people, which Hartley shot while working in Kitimaat from 1941-1944, a voiceover for the footage which Hartley’s widow, Edythe McClure, created in ca. 1983, a letter, and three photographs of Kitimaat people and landscapes. The three audio cassettes all contain the same 1983 recording.

The fonds consists of 28 black and white photographs taken by Codere in 1955 during her second field work expedition to B.C. 19 of the photos were taken in and around Alert Bay, while the remaining 9 were taken on Hope Island.

Fonds consists of the schedules, surveys, reports, reviews, formularies, and research materials relating to the career of Dr. Kellett. It is arranged into three series: Indian Health Services, Formularies, and Research Materials.

Consists of 1 edited and revised early draft of chapter for Prospering Together. Initial paper--which was subsequently heavily revised--was written by Lee G. Morrison and David Fish, and was entitled "Land Claims Settlement and the Devolution of Control of Health Services: The Health and Economic Report".