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The fonds consists of correspondence written by Robert Creeley and typescripts of poems, stories and essays of Creeley sent with letters to Emerson. The correspondence is concerned with a magazine Creeley intended to establish, Creeley's poems published in "Golden Goose", the publication of "Le Fou", and other matters.

The fonds consists of Wah's correspondence, manuscripts, and typescripts, drafts of works by other authors, workshop and conference materials, notebooks, and diaries. Correspondents include George Bowering, Robert Creeley, Lionel Kearns, Ron Loewinsohn, Charles Olson, Michael Ondaatje, Raymond Souster, Warren Tallman, Audrey Thomas, and Phyllis Webb. Included in drafts of other works of other authors sent to Wah for editing or opinion include those of bp Nichol and Michael Ondaatje.

The fonds consists of manuscripts and typescripts, clippings and reviews, notebooks, correspondence with friends and associates, galley and proofs, broadsides and cards by McClure, anthologies and magazines containing items by and about McClure, conference material, tape recordings, photographs, film and ephemera. Film is the only remaining print of Andy Warhol's unauthorized version of "The Beard" (1966). Correspondents include Richard Brautigan, Robert Creeley, Lawrence Ferlinghetti, Bruce Conner, Allen Ginsberg, Gary Snyder and Philip Whalen.

The fonds consists of correspondence, manuscripts and typescripts of Coyote Books, Coyote's Journal and the earlier Northwest Review, along with galley proofs, layout sheets, reports, and other material. Correspondence, much of it to editor Edward Van Aelstyn, includes letters from Robert Creeley, Ed Dorn, Michael McClure, Gary Snyder, Jonathan Williams, Ron Loewinsohn, Clayton Eshleman and Philip Whalen.