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The collection consists of a handwritten letter to Henry Davray (1873-1944) concerning the foreign publication of Symons ' books and a holograph short critical assessment of Robert Browning. Also included is a copy of "Poetry World" (1929; Vol.1, No. 1) which contains a critical article: "Arthur Symons: English Decadent" by Richard Johns.

The collection consists of five typed, signed letters to Raymond Marriott (perhaps a book seller or collector).

The collection consists of a black portfolio containing seven cardboard sheets with holograph poems, all signed and numbered [#3 of 10 copies]. Included are: "fragment of Passages (33)" by Robert Duncan; "Dreams" by Jim Harrison; "Swan That Sings And" by Denise Levertov ; "The Connoisseur of Jews" by Jerome Rothenberg; "Poem" by Charles Simic; "Yen Yu" by Louis Simpson; and "To Do" by John Wieners. Also included is a typed letter on poetry (Jan. 1961) by Denise Levertov and a printed prospectus (Oyez) for "The Years As Catches" by Robert Duncan, which contains contributions from Denise Levertov "On Reading the Early Poems of Robert Duncan" and Charles Olson (untitled). Signed holographs issued by the Stony Brook Poetics Foundation in support of its publication program, probably during the Stony Brook Poetry Conference, at the State University of New York at Stony Brook, 1968.

The collection consists of a mimeographed, signed letter from Starkey to Magee. In the letter, he thanks him for the note on "The Avatars", which he will print in his next issue (Jan.-Mar.). The letter accompanied a complimentary copy of his "Collected Poems".

The collection consists of a handwritten letter to Francis Meynell (1891-1975).

The collection consists of a handwritten letter and a typed, signed letter to Maurice Wollman. Both letters are concerned with Wollman's proposed poetry anthology. In the letters, Spender refuses to allow any of his poems to be included. There is also a portrait etching of Spender by Edgar Holloway. It is number eight of seventy-five signed copies (by the artist). It is in the style of Holloway's etching of T.S. Eliot.

The collection consists of three handwritten letters to Helen B. Cruikshank. An enclosure of a quotation from Homer is included in the last letter. In the letters, he refers to Grieve (Christopher) [Hugh MacDiarmid], Eliot, Pound, and Joyce.

The collection consists of one handwritten and seven typed, signed letters to W. Harrison together with one typed, signed letter response. The letters are mostly concerned with the topic of spiritualism. Soutar refers to Henry Ford, Dawson Scott, Sir Oliver Lodge, Walter de la Mare, and Sir Arthur Conan Doyle.

The collection consists of a typed bread recipe. It is signed Gary Snyder [via Valery McCorkle].

The collection consists of a handwritten letter to J. G. Wilson (manager of Bumpus bookstore), sending him an early copy of her "Collected Poems"; and a handwritten letter to George Plank, together with its envelope, inviting him to "my very small tea party" and that she hopes "several of the other poets" will be there.

The collection consists mainly of Shepherd's unpublished typescripts concerning her family history in France and Italy, England, and Ireland: "The Illustrious De Verduns" (paperbound, corrected); "A Journey Into Time Past" (Beaumont family, paperbound); "The Diaries of my Grandmother, Margaret Emily Cooke [nee Verdin] (paperbound, corrected). Also included is a pamphlet "Joseph Verdin and Sons, Salt Proprietors" by Mary Rochester; correspondence (1989-1990) between the author, Gray Campbell (Gray's Publishing), Judge Monty Tyrwhitt-Drake, and Special Collections; a National Gallery photograph of "The Beaumont Family by George Romney" (painted ca. 1778-82); and some typed "De Verdun and Verdin pedigrees".

The collection consists of a typed, signed letter to J. R. Lowther, responding to Lowther's letter re natural history conditions in British Columbia.

The collection consists of a handwritten poem "Past and Present", signed by Scott at the end, and dated from internal evidence. The poem is accompanied by a handwritten note to Edward L. Blanchard (1820-1889).

The fonds consists of a handwritten score of "Musique Intimes: 1. Cloitre" by Schmitt. At the end, it is signed with the place (Montreux) and date. In pencil, on the top left hand corner beside the title, is the inscription "a Maurice Ravel" (1875-1937). There is also an ink inscription on the top right hand corner (in French) signed by Emile Verhaeren (1855-1916).

The collection consists mainly of a photocopied typescript of Aram Saroyan's "Cloth: an electric novel". Also included are a handwritten letter to Tom Clark re "Cloth" and mentioning Ted Berrigan, Paul Carroll, Steve Katz, and Philip Whalen; a corrected typescript signed by Tom Clark which seems to be intended as a preface to "Cloth"; clippings from "Poetry (Chicago)" of Aram Saroyan selection of material from Louis Zukovsky; and a clipping from Rolling Stone? of a picture of Randy Newman.

The collection consists of a handwritten letter to (Mr.?) Harben concerning Sanderson-Wells' book of poems ”Grist”.

The collection consists of a typed, signed letter to H. Calverley about the dramatisation of Sackville-West's novel “All Passion Spent”.

The fonds consists of a handwritten letter from Miron Grindea (Adam International); photocopies of typescript poems and translations (numbered and signed by Russell); reprint and photocopied typescript of two articles; photocopies of revised typescript and extracts from "Ephemeron" (also numbered and signed by Russell).

The collection consists of a fragment of a handwritten letter to the poet Jean Ingelow (1820-1897). A few lines prior to his signature have been excised.

The fonds consists of a black notebook containing a handwritten commentary on Immanuel Kant (1724-1804). The pages are numbered consecutively from 268 to 403. The entire text is in German.

The collection consists of a leather bound volume, consisting mainly of handwritten transcriptions of a selection of Rossini's works. They are taken from the operas "Italian in Algiers", "Tancredi", and "Otello". Also included is one selection from the Saverio Mercadante (1795-1870) opera "El Puerto Abandonada". All the words are translated into Spanish. The volume bears several labels of "Academia de Musica de J.N. Loretta."

The fonds consists of a handwritten letter to an unnamed cousin. In the letter, she mentions her book “Letters and Papers of Andrew Robertson” ed. Emily Robertson.

The fonds consists of a handwritten letter from William O'Brien which contains a pen and ink cartoon; together with a handwritten letter from Walter Osborne, containing two pen and ink drawings.

The collection consists of a handwritten letter to John Lehmann, together with a handwritten, signed poem "The Hanging Church". Lehmann has written a note on the top of the letter "Yes, I like this", together with his initials.

The collection consists of a menu "A Complimentary Dinner to Professor E.J. Pratt M.A., Ph.D., upon the occasion of the launching of 'The Roosevelt And The Antinoe'. It is autographed on the front cover by Hugh Eayrs, Charles G.D. Roberts, and Ned Pratt.