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This notebook is comprised solely of Gary Lee-Nova’s journal entries, ink sketches and notes. This notebook in particular reads much more like a traditional journal. Entries to the journal are dated and frequently refer to Gary Lee-Nova’s macrobiotic diet as well as his sleep patterns. Furthermore, the journal entries often focus on the weather and the artwork Lee-Nova was working on at the time.

The fonds consists of records made or received by the Art Gallery in the process of carrying out is functions. Activities and events documented include the evolution of the Gallery's structure, functions and governance; management of the Gallery's budget; deliberations of advisory committees; correspondence of the director with other university departments and the community; and the production of numerous art exhibitions. Records include correspondence, reports, agendas, minutes, budget summaries, exhibition programs and flyers, lists and forms relating to exhibitions, news clippings, and other documents.

Copy of Birth Certificate - written in German

The item is comprised of a notebook containing Gary Lee-Nova’s notes and techniques on the topic of art creation. Within, there are uses of mixed media in the form of using label makers to add to previously made drawings. This notebook also includes short stories addressed to various people. Gary Lee-Nova’s preliminary sketches for his painting the Dreadnaught in 1966 are also evident in this item.

The fonds consists of printed ephemera relating to First Nations art, correspondence, and photographs of Gitksan totem poles.

The fonds consists of records relating to activities of the School and its predecessors. Activities and events documented include the evolution of the department's structure, functions and governance; management of the School's budget and financial resources; management of School facilities; deliberations of School committees; correspondence of the Director with staff, faculty, other university departments and external organizations; curriculum development and course instruction; public-events programming; management of faculty and student relations; media relations, publicity and communications; and the organization of conferences and other special events.

Records include correspondence and reports; budgets and financial working papers; meeting agendas, minutes and supporting papers; course outlines and related material; media releases, event programs, flyers and booklets; audio and audio-visual recordings, films, photographs, posters and other graphic material; and departmental publications, including annual reports (1965-1976), course guides, newsletters and brochures.

The Gary Lee-Nova fonds is comprised of 20 notebooks that contain sketches, journal entries, mixed media creations, correspondence, notes on art techniques and personal artwork, and information related to exhibitions that have been created by Lee-Nova. Moreover, there are a large quantity of photographs including Polaroids of his work from the Harold Adams Innis and Herbert Marshall McLuhan Memorial Sculpture Exhibit; photographs from his work with Art City to build a kiosk and transport it to various areas in Vancouver; and a series of colour photographs from his exhibit work titled “Different points of view on some properties of media: Harold Adams Innis and Herbert Marshall McLuhan Memorial Sculpture”; and finally an acetate photograph booklet representing an art project by Lee-Nova. This fonds also contains material kept by Lee-Nova such as an article in Vancouver Magazine, an exhibition catalogue from the Glenbow Alberta Institute, and a poetry newsletter published by Vancouver monthly.

Thank you letters from Helena Rand regarding Paul Rand paintings loaned for exhibition. File also contains some of the original letters from collectors.

The fonds consists of the administrative and operational records of the Canadian Federation of University Women - Coquitlam. Record types include: constitution & bylaws, meeting minutes, newsletters, reports, correspondence, financial records, photographs, and ephemera.

Centre to Centre All Ways is a notebook that is comprised of the sketches, notes and journal entries of Gary Lee-Nova. This notebook is primarily sketches that fill half of the notebook. Very few notes or entries are contained within this notebook as it was primarily used for rough sketches.

The series relates to Boire's involvement with several community organizations and initiatives in Maillardville. Firstly, it encompasses the records of Boire's time with the Maillardville Residents' Association (MRA), on its Maillardville revitalization and planning Task Force, which was instrumental for advocating for development activities. The series also contains records about the development of Place Maillardville, the Coquitlam Heritage Society, as well as the Vancity Maillardville Advisory Committee. Lastly, the series contains fliers, ephemera, and articles about events in Maillardville, including the Festival du Bois, and the 2009 Maillardville centenary.

Record types include agendas and minutes, correspondence, ephemera, brochures, newspaper articles, bulletins, and revitalization and development reports.

This newsletter is comprised of various poems created by Canadian poets. The poetry newsletter is created as a feature in Vancouver Monthly. On the back of the newsletter, Gary Lee-Nova has drawn a small sketch with the heading “…..Sunday……Nova”.

Fonds consists of records relating to Braid's life and work as a student, teacher, carpenter, and writer.

The first five series from Braid's first donation in 1995 are comprised primarily of interview material relating to Canadian women in trades, in the form of sound recordings, transcripts, notes, and drafts of profiles generated by Kate Braid in the course of four projects: her Master's thesis (1978-1979); a convention in Holland and subsequent trip to Denmark (1984); the Labour Canada booklets (1988); and the CBC Ideas program (1990). Also includes some correspondence, logbooks and published reference material.

The next series from several additional accruals in 2009 to 2013 consist of records arising from many aspects of Braid's life. These records include drafts and notes from Braid's writing, projects for CBC Ideas, women in trades, her company, Sisters Construction, and other writing and teaching projects.

There is also a large series of correspondence, including letters and emails (printed out) between Braid and other writers, her family, and business correspondents. Finally, there is a series of Braid's diaries, which she has kept regularly from the 1960s to 2012.

The fonds is arranged in 24 series:

1. Master's thesis interviews
2. Europe interviews
3. Labour Canada interviews
4. CBC interviews
5. Women in trade
6. In Fine Form: the Canadian Book of Form Poetry
7. Red Bait: Struggles of a Mine Local
8. A Well-mannered Storm: the Glenn Gould Poems
9. Emily Carr: Rebel Artist
10. Inward to the Bones: Georgia Okeeffe's Journey with Emily Carr
11. Vancouver Island Highway Project Road to Equity
12. CBC Ideas: Men of the Deep
13. Appointment calendars
14. Correspondence
15. Personal and early accomplishments
16. Writing and teaching projects
17. Turning Left to the Ladies
18. Journeywoman
19. Diaries
20. First drafts and handwritten notes
21. Sisters construction
22. Publications
23. Covering Rough Ground
24. To this Cedar Fountain

The fonds consists of records arising from Dunham's teaching and research activities. Includes lecture and research notes, course outlines, exams and study questions, reading lists, reprints, essays and other writing by Dunham, and a few pieces of correspondence regarding Dunham's career and projects.

The collection consists of audio and moving image recordings of performances by Al Neil and various musical ensembles that performed with him (Al Neil Trio, Al Neil Jazz Probe, Al Neil Quartet, and solo efforts). They include performances at the Vancouver School of Art, Simon Fraser University, The Western Front and others. The performances date from 1962 through 1989, although this collection contains CD and DVD copies (not the original recordings).


These copies were produced as part of the Al Neil Project, a 2005 collaborative effort between the Morris and Helen Belkin Art Gallery, New Orchestra Workshop, Coastal Jazz and Blues Society and the grunt gallery.

This collection consists of posters and notices created primarily by University of Victoria Students' Society (Alma Mater Society) clubs and University of Victoria academic departments for the purposes of advertising meetings, events and courses, and to raise awareness about social, political and university issues.

The series consists of records pertaining to the Burquitlam Lions Club's (BLC) administrative and membership activities. It contains material relating to the history and objectives of the BLC, including its constitution and policies, as well as the day-to-day operations of the club. Additionally, it contains membership records, a core aspect of BLC administration.

The series is divided into several subseries: membership records; agendas and minutes of meetings; constitution, policies and procedures; correspondence.

The series consists primarily of textual material. Record types represented in the series include the following: membership reports (MMRs, lists, and schedules), information about individual members, agendas, reports, and meeting minutes, motion books, constitutions, procedures, policies, agreements, ephemera, internal correspondence, and correspondence with other organizations.

Fonds is arranged into 6 series: Artist files; Gallery administrative records and subject files; Ephemera; Audio-Visual; Scrapbooks; and Photographs.

Fonds consists of textual records created by Dave Kay and Dan McDonald while they researched and wrote historical newspaper columns, pamphlets, and books. Includes correspondence, publications, research materials, and clippings.

Newspaper clipping from the Vancouver Sun dated May 21, 1960 with article based on Paul Rand titled "Learn Drawing First of All, Artist Tells Talented Youth".

Fonds consists of records arising from the academic and professional life of Paul Delany. Activities and topics include course planning, academic articles and reviews, research and drafts for his books, academic conference attendance, refereed and non-refereed articles, book reviews. Fonds also consists of records arising out of his university committee work, work with graduate students, departmental planning, grant writing and applications. Finally, there are some records relating to non-SFU organizations.

The fonds consists of articles, research, manuscripts, course syllabi, notes, minutes, correspondence, grant applications, conference papers and proceedings.

The fonds is arranged in 5 series:

1. Articles and reviews
2. DH Lawrence's Nightmare
3. The Neo-pagans
4. Academic and administration
5. NDP policy subcommittee on advanced education

The fonds consists of material relating to the career of British Columbia pastel artist Jacqueline Hugo. The material includes 9 paintings of Hollyburn Ridge, newspaper articles, and correspondence.

The fonds is arranged into the following series:
Series 1: Pastel paintings
Series 2: Art exhibitions

The fonds consists mainly of poetry that Dr. Morris Levine wrote over the years. Also intermixed with the poetry is some general correspondence, family correspondence, some work records, and a partial draft of a personal memoir.

The fonds is arranged into one series: Poems. All files are kept in their original order and do not appear to follow any chronological or alphabetical order. All files are simply titled ‘Poems’.

Fonds consists of records related to B.C. and Jessie Binnings’s correspondence with friends and colleagues overseas in Japan from 1959 to 1971. It includes correspondence with Bishop Kojo Sakamoto and members of his family. Letters are predominantly personal and are written by hand; several are painted using calligraphy. Other records include program brochures and news clippings for exhibits in Japan and North America, and scrapbooks assembled by the Binnings. These either commemorate various visits they took to Japan or the visits that their Japanese friends took to Canada.

Charles H. Scott's correspondence