The fonds consists of 610 letters written by E.J. Hughes to Max Stern discussing his artwork, plans for paintings and sketching trips, and prices received for many pieces. Also included are Hughes' descriptions of selected pieces, 1971-1989; and photographs of selected sites and finished works. The letters document the role of the gallery as sole agent of Hughes' work, and Hughes' artistic development.
Galerie DominionThe collection consists of material compiled by Elsie Allan concerning theatre in Victoria and other locations in B.C. and in England. The collection includes notebooks of annotated scripts, scripts of plays, announcements and notices of meetings of the Victoria Theatre Guild, programmes of amateur and professional performances in Victoria, New York, and England, and programmes of the British Columbia, Dominion, Kelowna, and Vancouver Island Drama Festivals.
The fonds consists of administrative and operational records generated by Congregation Emanu-El including: textual records; photographs; moving images; sound recordings; ledgers; and scrapbooks.
The fonds is arranged into 22 series: Preschool and Hebrew School; Correspondence; Jewish Historical Society of British Columbia/Allan Klenman; Membership; Committees; Photographs and audio-visual; Publications; Restoration; Ben Levinson historical/archival files; Renovation (Matanah G’Dolah Project); Congregation Rabbi’s; Bar/Bat Mitzvah and conversion certificates; Jewish cemetery; Vancouver Island Jewish Community Directory (VIJCD); Financials; Holocaust Symposium; Board; Administration and operational records; Ephemera; Marriages and divorces; Scrapbooks; and Sylvester family.
Congregation Emanu-ElFonds is arranged in six series: 1) Constitution and bylaws; 2) Minutes; 3) Correspondence; 4) Financial Records; 5) Projects; 6) Miscellaneous.
Coal Tyee SocietyThe fonds consists of photographs of Quatsino, B.C., depicting panoramas, fishing, ships, native Indians, and logging.
Leeson, B.W.Collection consists of photographic prints and text labels used in the “Emergence from the Shadow: First Peoples’ Photographic Perspective” exhibit at the Canadian Museum of Civilization, from October 22, 1999 to January 6, 2002. The images depict several different First Nations groups including Haida, Kimsquit, Bella Coola, Ulkatcho-Carrier, Chilcotin, Assiniboine, and Gitksan. The label text incorporates information which Harlan Smith, the photographer, recorded at the time of creation. Labels gives name and age (if known) of the sitters as well as their lineage, employment, and style of dress.