Materials include: individual files on summits and events at the BNMI; correspondence; manuscripts of “Euphoria & Dystopia” and “Flesh Eating Technologies”; transcripts of interviews and conference proceedings; personal notes; and flyers.
Sara Diamond1 box of files related to Diamond's work at Emily Carr University of Art and Design. Box primarily consists of copies of journal articles and art history texts, arranged for specific courses.
Sara Diamond1 box of files related to Diamond's work at Emily Carr University of Art and Design. Box primarily consists of copies of journal articles and art history texts. Includes 1 file on Visual Evidence, 1 file on AIDS, 1 file of Cal Art readings, and files of weekly readings for courses.
Sara Diamond1 box of files related to Diamond's work at Emily Carr University of Art and Design. Box primarily consists of copies of journal articles and art history texts. Most files are dedicated to individual art concepts, including: pop art, semiotics, cubism, conceptualism, and women in art history.
Sara DiamondSub-series consists of files related to Diamond's time teaching at Emily Carr University of Art and Design. The files primarily consist of research, copies of articles and art history texts, and some hand-written notes related to courses Diamond taught at ECUAD.
Sara DiamondSub-series consists of records from Diamond's time teaching at Capilano University (then Capilano College). Files include research for courses, course outlines, reading lists, notes for lectures, and documents relating to Diamond's initial job application.
Sara DiamondFor access to a complete database of this subseries, please contact the archivist at the CDMLA.
Series consists of records pertaining to Diamond's work as an arts educator. Diamond was employed by the Capilano College Labour Studies Programme between 1983 - 1990, and later worked at Emily Carr University between 1986 - 1992.
Materials primarily consists of background research for courses taught, and copies of assigned readings.
Sara DiamondContains notes, publications, and correspondence related to Diamond's appointment to the National Advisory Committee on the Status of the Artist in 1987.