Fonds consists of an album given to Mary Tucker by her grandfather who had received it in the early 1900s as a gift from the Japanese Diet. The album consists of a series of hand-tinted silk screen reproductions depicting a variety of Japanese scenes and landmarks. Each individual silk screen is labeled with the subject of the image. The covers of the album are black lacquer with a floral image in gold on the back cover and a scene in relief of a woman and a boy sweeping on the front cover.Tucker, Mary
The fonds consists of hand-written notes as well as published articles relating to artists in Canada between the early 17th century and the late 20th century. The fonds also consists of copies of correspondence between artists, as well as Walkers own correspondence with artists and the artistic world in general, both inside and outside Canada. The fonds consists of the following series and is largely arranged in its original order. 1) Canadian Artists 2) Records relating to Dear Nan: Letters to Emily Carr, Nan Cheney, and Humphrey Toms 3) Photographs.Walker, Doreen, 1920-
The fonds consists of administrative and operational records generated by Congregation Emanu-El including: textual records; photographs; moving images; sound recordings; ledgers; and scrapbooks.
The fonds is arranged into 22 series: Preschool and Hebrew School; Correspondence; Jewish Historical Society of British Columbia/Allan Klenman; Membership; Committees; Photographs and audio-visual; Publications; Restoration; Ben Levinson historical/archival files; Renovation (Matanah G’Dolah Project); Congregation Rabbi’s; Bar/Bat Mitzvah and conversion certificates; Jewish cemetery; Vancouver Island Jewish Community Directory (VIJCD); Financials; Holocaust Symposium; Board; Administration and operational records; Ephemera; Marriages and divorces; Scrapbooks; and Sylvester family.Congregation Emanu-El
Fonds consists of the personal records of Katie Lacey. Includes correspondence, personal writings, research materials, notes, and graphic material.Lacey, Katie
Fonds consists of materials documenting mainly the personal life of the Halpern family but also includes some records relating to George's and Fanny's scientific and professional interests. Activities and topics documented include the Halperns' emigration to Canada, George's scientific research and business enterprises, his work with Brock House (a senior citizen's centre), Ida's community interests, and Fanny's medical career in China.Halpern family
The fonds consists of material generated and collected by the Lawson family and extended family members. Records include personal correspondence, photographs, journals, school records, and art work, as well as financial and business records pertaining to family businesses, investments and community involvement.
The fonds is arranged into the following sous-fonds and series:
Series 1: Photographs and postcards
Sous-fonds 1: John Lawson sous-fonds
Sous-fonds 2: Gertrude Lawson sous-fonds
Sous-fonds 3: Christina Lawson sous-fonds
Sous-fonds 4: Duncan Lawson sous-fonds
Sous-fonds 5: Harte family sous-fonds
Sous-fonds 6: Elizabeth Lawson sous-fonds
Collection consists primarily of records generated or used during the period of the Second World War by the Vilcsek family in Budapest, Hungary. These include vital statistics and personal records of the Vilcsek family, photographs, and postcards mailed to the family from Ernő Vilcsek while he was in a labour camp in Hungary. Collection also consists of artworks, several on the theme of the Holocaust, created by Eva Kero after her immigration to Vancouver, BC.
Collection has been arranged into three series: Correspondence (1942), Family records ([after 1881]–1949) and Artworks (1969–1971).Vilcsek family
Fonds contains books from the personal library of John Grayson. The fonds contains 24 publications (primarily books and journals) on the topic of music theory, sound sculpture and soundscape, and unorthodox musical creations/instruments. The majority of the publications in the fonds were published by Grayson's organization The Aesthetic Research Centre. Some of the publications include sheet music, and one publication includes an accompanying musical recording on tape cassette. Titles and authors/editors are as follows:
- An Environment of Musical Sculpture - ed. John Grayson
- Biofeedback and the Arts: Results of Early Experiments - ed. David Rosenboom
- Computer Music Journal, Vol. 4, No. 2
- The UNESCO Courier, November 1976
- Cultures, Vol. 1, No. 1
- Desert Plants: Conversations with 23 American Musicians - Walter Zimmermann
- Environments of Musical Sculpture You Can Build - ed. John Grayson
- Five Village Soundscapes - R. Murray Schafer
- The Gitalamkara: L'ouvrage Original de Bharata sur la Musique
- Handbook for Acoustic Ecology - ed. Barry Truax
- Interval: Exploring the Sonic Spectrum, Fall 1983
- Journal of Experimental Aesthetics, Vol. 1, No. 1
- The Music of the Environment - ed. Murray Schafer
- La Musique du Cambodge et du Laos - Alain Danielou
- New Directions, Nos. 24 & 25
- Paysage Sonore Urbain: Deux Journees d'Exposition, d'Ecoute, et de Communications - Plan-Construction
- Pieces: An Anthology - ed. Michael Byron
- Recherches sur l'Histoire de la Gamme Arabe - J.P.N. Land
- Sound Sculpture - ed. John Grayson
- Sound/Sculpture - ed. John Grayson
- Sound : Space - Bernhard Leitner
- Soundings, Nos. 7 & 8
- Toning: The Creative Power of the Voice - Laurel Elizabeth Keyes
- Vibrations: Making Unorthodox Musical Instruments - David Sawyer
The fonds consists of correspondence from 1929 to 1990; biographical data/information from 1921 to 1991; literary works from 1938 to 1984; photographs from 1898 to 1984; interviews and talks/speeches given from 1942 to 1984; newspaper clippings from 1920 to 1990; newsletters and theatre souvenirs from 1922 to 1987.Somerset, Dorothy Maud
The collection consists of six series of papers, photographs and artefacts amassed by the Morishita family. The first series consists of papers and artefacts belonging to the patriarch of the family, Teiji Morishita. The second series consists of papers and artefacts belonging to Teiji's wife, Sawa Morishita. The third series consists of papers and artefacts amassed while the Morishitas (with the Ebisuzakis) ran the Ebisuzaki Shoten (store) at 337 Powell Street in Vancouver, BC. The fourth series consists of family photographs and artefacts belonging to the Morishita family. The fifth series consists of papers and artefacts belonging to the Morishita children. And the sixth series consists of papers and artefacts belonging to the Ebisuzaki family.
Fonds consists of a variety of materials, but the focus is on the literary works of Geoffrey Riddehough and includes drafts, manuscripts, and publications of his poetry and short stories. The fonds also contains a number of academic essays, research materials on Joseph of Exeter, and papers that Riddehough presented to various groups. There is also correspondence of both a professional and personal nature. Fonds consists of 3 sous‐fonds and 14 series: Pegeen Brennan sous‐fonds, Lemuel Robertson sous‐fonds, Doreen Nalos sous‐fonds, Murray and Marian Cowie sous‐fonds, Personal Information series, Published Materials series, Manuscripts and Unpublished Materials series, Assorted Poems: Miscellaneous series, Assorted Short Stories: Miscellaneous series, Lecture Notes and Papers Presented series, Joseph of Exeter Research Materials series, Coursework series, Notebooks and Scrapbooks series, Diaries series, Expense Ledgers / Accounts series, Correspondence series, Photographs series, and Miscellaneous series.Riddehough, Geoffrey B.
The fonds consists of community publications, community ephemera, correspondence, newspaper clippings, and musical scores. The fonds is arranged into 3 series: Community publications; Altman family files; and Music collection which consists of scores of both Jewish and general popular songs that bear the name of Sari Corbin.Altman (family)
The records within the Letia Richardson’s Charles H. Scott research fonds are comprised of Charles H. Scott’s primary and secondary source records she acquired in order to complete a book. The fonds is comprised of sketchbooks, notebooks, short stories, correspondence, newspaper clippings, exhibition and art gallery catalogues, and graphic records related to Charles H. Scott’s work. The fonds also consists of research and notes from Letia Richardson related to the writing of the book about Charles H. Scott. Moreover, the fonds is comprised of textual and photographic records from the Glasgow School of Art and the Vancouver School of Art; two institutions where Charles H. Scott either attended or helped found throughout his lifetime.Richardson, Letia
The fonds consists of the writings of Gladys Johnston and ephemera related to the author.Gladys M. Johnston
The fonds consists of photographs and textual records from various members of the Nemetz family, including the Dayson family, the Barnett family, and the Fader family.
The fonds is arranged into four series: Nathan Nemetz scrapbooks and photograph albums (photocopies); Textual records; Photographs; Audio/Visual.Nemetz family
Fonds consists of the textual records of Basil G. Hamilton. Includes correspondence and research material.Hamilton, Basil G.
The fonds consists of records relating to the editorial, business and community activities of Press Gang Publishers. Activities and events documented include the evolution of Press Gang's organizational structure, and the separation of the printing and publishing operations; administration; collective, staff, Board of Directors and committee meetings; financial management, and grant applications; the management of royalties and rights; editorial work including manuscript receipt and evaluation; the physical production of Press Gang books; the promotion and marketing or Press Gang titles; and liaison with other feminist and publishing organizations.
Record types includes correspondence and reports; meeting agendas, minutes and supporting papers; photographs; grant applications and financial statements; contracts and agreements; manuscripts; book reviews and promotional material; photographs; and published books.Press Gang Publishers
Fonds consists of the textual records of Matilda C. de Lotbiniere-Harwood from 1914, 1918, and 1920-1921. Includes biography, correspondence, clippings, and sheet music of the following: From the Empire’s Dead, Triumphal March of the Allies, Imperial Anthem, Strathcona March, and Johnny Canuck.de Lotbiniere Harwood, Matilda C.
The fonds consists of minute books, membership lists (1916-1937), photographs, plays, financial records, programs and play announcements (1916-1961), scrapbooks (1916-1944), and ephemera.University of British Columbia. Players' Club
The fonds consists of constitutions, minutes, correspondence, financial records, programs, scrapbooks, speeches, membership lists, clippings, and assorted other material relating to the administration of the organization. In addition, the fonds includes recording of lectures delivered to the Vancouver Institute. It is arranged in the following series: history, constitution, minutes, correspondence, financial records, programs, membership records, newspaper clippings, series papers, and lectures.Vancouver Institute
The fonds consists of 140 photographs and 4 series: family documents, correspondence, a ledger, ephemeraFarmer, Florence Gertrude
Fonds consists of records relating to the personal and academic activites of Ann Messenger. Activities, events and topics documented include Messenger's social and academic activities while attending college and university; her marriage to Bill Messenger; her career as an academic, including her experiences as a young professor at Simon Fraser University; and her academic activities, including her research, writings, and publications. Fonds also includes correspondence of Bill Messenger and his father, Edmund Messenger.
Records include correspondence; publications, papers, articles, and reviews; notes, assignments, and examinations; course outlines, lesson plans, and lecture and tutorial notes; typescripts and proofs; journals; photographs and postcards; applications and appointment forms; and a text book.Messenger, Ann
Fonds consists of correspondence with the museum about Goddard's photographs and postcard, as well as the images themselves. Three of the photographs are annotated.Goddard, Evelyn
Collection consists of photographic prints and text labels used in the “Emergence from the Shadow: First Peoples’ Photographic Perspective” exhibit at the Canadian Museum of Civilization, from October 22, 1999 to January 6, 2002. The images depict several different First Nations groups including Haida, Kimsquit, Bella Coola, Ulkatcho-Carrier, Chilcotin, Assiniboine, and Gitksan. The label text incorporates information which Harlan Smith, the photographer, recorded at the time of creation. Labels gives name and age (if known) of the sitters as well as their lineage, employment, and style of dress.
The fonds consists of photographs relating to Hazel Brealey's school days, and personal correspondence relating to the West Vancouver Symphony Society by George Brealey.Brealey (family)